MUSIC FOR FILMS
Matthew's Film Credits
马修的电影学分
Co-Produced and or Scoring and Mix Consultant / Synth Programming:
共同制作和/或评分与混合顾问/合成编程：
Recently Matthew worked with Maestro Ennio Morricone on the Dolby Atmos recordings of The Hateful Eight, gaining the Maestro’s praise by re-orchestrating sections of the film’s soundtrack for this special recording at Abbey Road Studios, without any changes proposed from Maestro Morricone.
For many years, Matthew has worked closely with film composer, arranger, and conductor William Ross, co-producing film scores, synth programming, recording, as well as editing and mixing music for films and soundtracks. He also designed and maintained William’s studio. Matthew has been involved in every aspect of recording from creating a demo for a job to delivering final mixes at the end of the project. He also participated in hundreds of recording sessions in various capacities.
Matthew has also worked with John Williams, Randy Newman, Alan Silvestri, Simon Franglen and several other A list Hollywood composers.
He has done work for all the major film studios such as Warner Bros. Pictures, Walt Disney Studios, 20th Century Fox, Universal Pictures, Paramount Pictures, IMAX Films, all four American major national broadcast television networks, MTV, PBS, major cable networks.
Matthew has worked with orchestras such as the Hollywood Film Orchestra (hundreds of times on films and albums), the London Symphony Orchestra, the New York Philharmonic, the Phoenix Symphony and many orchestras in Los Angeles, London, New York, Las Vegas, and Miami for recordings and live shows.
请参阅下面的中文信息
The Hateful Eight
Orchestrating cues for the Dolby Atmos recording for Maestro Ennio Morricone
Harry Potter and the Chamber of Secrets
Assisted William Ross in adapting, recording and mixing the score.
Seabiscut
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
Ladder 49
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
My Dog Skip
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
Tuck Everlasting
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
Tin Cup
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
Waiting to Exhale
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
My Fellow Americans
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
The Little Rascals
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
Life
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
The Evening Star
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
Black Sheep
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
Heat
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
Cops and Robbersons
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
Look Who's Talking Now
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
A Smile Like Yours
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
The Amazing Panda Adventure
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
Her Majesty
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
T-Rex, Back to the Cretaceous
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
I C U
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
The Young Black Stallion
Worked with William Ross in producing, composing, orchestrating, recording and mixing the films and soundtracks.
La Dama Boba
Composed additional music, orchestrated and co produced the score with Luis Ivars.
El Concursazo
Composed additional music, orchestrated and co produced the score with Luis Ivars.Songs for Fims
Celine Dion
Titanic: “My Heart Will Go On”
Barbra Steisand
Snow White: “Someday My Prince Will Come”
Andrea Bocelli & Celine Dion
Quest for Camelot: “The Prayer”
Rusted Root
Ice Age: “Send Me On My Way”
Jennifer Lopez
Enough: ”Alive”
Mariah Carey & Whitney Houston
The Prince of Egypt: “When You Believe”
Coolio
Nothing to Loose: “See You When You Get There”More upon request
共同制作和/或评分与混合顾问/合成编程：
最近，Matthew与Maestro Ennio Morricone合作拍摄了The Hateful Eight的Dolby Atmos录音，通过在Abbey Road Studios重新编排电影配乐的特别录音，获得了Maestro的赞誉，而没有Maestro Morricone的任何改变。
多年来，马修与电影作曲家，编曲家和指挥威廉罗斯密切合作，共同制作电影配乐，合成编程，录音，以及编辑和混合电影和配乐的音乐。他还设计并维护了William的工作室。 Matthew参与了录制的各个方面，从创建作业演示到项目结束时提供最终混音。他还以各种身份参加了数百次录音会议。
Matthew还曾与John Williams，Randy Newman，Alan Silvestri，Simon Franglen以及其他几位好莱坞作曲家合作过。他曾为华纳兄弟影业，沃尔特迪斯尼工作室，20世纪福克斯，环球影业，派拉蒙电影公司，IMAX电影，所有四大美国主要国家广播电视网络，MTV，PBS，主要有线电视网络等所有主要电影制片厂工作。 。
Matthew曾与好莱坞电影管弦乐团等乐团（数百次电影和专辑），伦敦交响乐团，纽约爱乐乐团，凤凰城交响乐团以及洛杉矶，伦敦，纽约，拉斯维加斯等地的许多交响乐团合作。迈阿密的录音和现场表演。